The Language of Chairs by Roxa Smith
I began painting my solitary chair series during the early days of the pandemic. Isolated from the rest of the world, I painted a series of 8×10” gouache paintings “The Covid Chairs,” journaling my experience during the quarantine. In each image, a single chair became the centerpiece of the painting surrounded by fern-like plants, seasonal flowers or imagery referencing the social and political upheaval of the time.
As the pandemic unfolded, I expanded this series into “The Language of Chairs” making larger 30×40” paintings as well continuing the small gouache on board pieces and now, for the Museum of Pocket Art, creating this series of 3×4” gouache on paper chair paintings. “The Language of Chairs” further explores the symbolism of chairs against the backdrop of a changing world. These isolated chairs serve as visual metaphors for me to comment on personal, social, environmental and cultural issues. Some chairs have personal family history and are placed in settings that reflect feelings of joy, sadness or isolation. In other paintings, the chairs are symbolic in nature and in their context comment on the unfolding environmental, cultural and political uncertainty facing Americans and the world at large. In this series of palm sized chair paintings, I invite the viewers to zoom into these images and contemplate the broader implications and narratives within them in an intimate and personal way.
About the artist
Roxa Smith was born and raised in Caracas, Venezuela. She came to the US in her teens and attended Bowdoin College in Brunswick, Maine, earning a BA in Art History and German with a minor in Visual Arts. She later received a Graduate Certificate in the Fine Arts from the University of California, Santa Cruz. Roxa has received a range of awards, residencies, and fellowships including a grant from the Vermont Studio Center, a New York Foundation for the Arts (NYFA) Painting Fellowship and the Basil Alkazi Fellowship at the Sheldon Museum in Lincoln, Nebraska. She has exhibited her art extensively in the US including most recently in a solo show (2023) at C24Gallery (NYC) where she is currently represented. Roxa Smith lives and works in Brooklyn, NY.
I Carry You With Me
Alejandro Macias
Estamos Bien-La Trienal 20/21
MoPA at El Museo del Barrio
EACH \\ THIS: A BETTER SPONGE
by Lauren Klotzman
Heartfelt
by Jade Walker
A N T I G R A V I T Y
by Ernesto Walker
Ties That Bind
by Elaine Bradford
A Testament to Their Fortitude
by Rebecca Marino
Personal Distemper
organized by Bug Davidson
The reason and the end
by Gil Rocha
Suffragette Series
by Margaret Meehan
Release Under Police Freedom of Information
by Russell Etchen
Palpable Networks
by Jenny Odell
emoemoji : bear
by Dan Boehl
Thanks for Sharing
Curated by Jen López
The View from There
by Kevin Chen
C -, Frederick Church in Color, After Mathew Brady Studio
by Ben Ruggiero
How Micro Can You Go? The Museum of Pocket Art’s Spring Video Show
Curated by Portland’s Grand Detour
Abstract Small
Curated by Mario Trejo
All Business All the Time
Curated by Hannah Piper Burns
Jan Blythe
by Jan Blythe
Inaugural Film and Video Exhibition
Curated by SEO Wan-Tae
Incognizant
Curated by Robert Jackson Harrington
Titanic Piano
Curated by Nancy deY Elkus and Laura Boles Faw
Holy
by Eric Shultis
Minor Landscapes
Curated by Mario Trejo
Immediate Thought
Curated by Mario Trejo
Intimate Cartography
Curated by Hannah Piper Burns and Alexandra Chowaniec
Spring 2008 Exhibition
Curated by Clark Buckner
Huble Pi
by Robert Moya
Spring 2007 Exhibition
Featuring work by artists Priyanka Gupta and Matthew Cella
Fall 2006 Juried by Exhibition
Curated by Jeannene M. Przyblyski
The Fluffer | Once Upon a Time…
Featuring work by artists Manuel Guerra and Susan Klahr
Fall 2005 Juried Exhibition
Curated by Richard Smit
Spring 3ver
Work by artists Odin Perez, Marvin Hill and Adrianna Corral
Fall 2004 Exhibition
Curated by Jose Enrique Krapp and Cindy Krapp
Inaugural Spring 2004 Exhibition
MOPA’s inaugural exhibition