Past Exhibitions

The Language of Chairs by Roxa Smith

I began painting my solitary chair series during the early days of the pandemic. Isolated from the rest of the world, I painted a series of 8×10” gouache paintings “The Covid Chairs,” journaling my experience during the quarantine.  In each image, a single chair became the centerpiece of the painting surrounded by fern-like plants, seasonal flowers or imagery referencing the social and political upheaval of the time.

As the pandemic unfolded, I expanded this series into “The Language of Chairs” making larger 30×40” paintings as well continuing the small gouache on board pieces and now, for the Museum of Pocket Art, creating this series of 3×4” gouache on paper chair paintings. “The Language of Chairs” further explores the symbolism of chairs against the backdrop of a changing world. These isolated chairs serve as visual metaphors for me to comment on personal, social, environmental and cultural issues. Some chairs have personal family history and are placed in settings that reflect feelings of joy, sadness or isolation. In other paintings, the chairs are symbolic in nature and in their context comment on the unfolding environmental, cultural and political uncertainty facing Americans and the world at large. In this series of palm sized chair paintings, I invite the viewers to zoom into these images and contemplate the broader implications and narratives within them in an intimate and personal way.

About the artist

Roxa Smith was born and raised in Caracas, Venezuela. She came to the US in her teens and attended Bowdoin College in Brunswick, Maine, earning a BA in Art History and German with a minor in Visual Arts. She later received a Graduate Certificate in the Fine Arts from the University of California, Santa Cruz. Roxa has received a range of awards, residencies, and fellowships including a grant from the Vermont Studio Center, a New York Foundation for the Arts (NYFA) Painting Fellowship and the Basil Alkazi Fellowship at the Sheldon Museum in Lincoln, Nebraska. She has exhibited her art extensively in the US including most recently in a solo show (2023) at C24Gallery (NYC) where she is currently represented. Roxa Smith lives and works in Brooklyn, NY.


Pocket Colors

Zoe Spliotis

Insects Awaken

Ming Jun Qian

I Carry You With Me

Alejandro Macias

Estamos Bien-La Trienal 20/21

MoPA at El Museo del Barrio

Tmesis Pieces

by Peter Hoffecker Mejia

pharmaart

by Michelle Ellsworth

EACH \\ THIS: A BETTER SPONGE

by Lauren Klotzman

Heartfelt

by Jade Walker

Flamin’ Hot!

by Justin Favela

A N T I G R A V I T Y

by Ernesto Walker

Ties That Bind

by Elaine Bradford

A Testament to Their Fortitude

by Rebecca Marino

Personal Distemper

organized by Bug Davidson

The reason and the end

by Gil Rocha

Suffragette Series

by Margaret Meehan

Palpable Networks

by Jenny Odell

emoemoji : bear

by Dan Boehl

Thanks for Sharing

Curated by Jen López

The View from There

by Kevin Chen

All Business All the Time

Curated by Hannah Piper Burns

Jan Blythe

by Jan Blythe

Inaugural Film and Video Exhibition

Curated by SEO Wan-Tae

Incognizant

Curated by Robert Jackson Harrington

Titanic Piano

Curated by Nancy deY Elkus and Laura Boles Faw

Holy

by Eric Shultis

Minor Landscapes

Curated by Mario Trejo

Immediate Thought

Curated by Mario Trejo

Intimate Cartography

Curated by Hannah Piper Burns and Alexandra Chowaniec

Spring 2008 Exhibition

Curated by Clark Buckner

Huble Pi

by Robert Moya

Spring 2007 Exhibition

Featuring work by artists Priyanka Gupta and Matthew Cella

Fall 2006 Juried by Exhibition

Curated by Jeannene M. Przyblyski

The Fluffer | Once Upon a Time…

Featuring work by artists Manuel Guerra and Susan Klahr

Fall 2005 Juried Exhibition

Curated by Richard Smit

Spring 3ver

Work by artists Odin Perez, Marvin Hill and Adrianna Corral

Fall 2004 Exhibition

Curated by Jose Enrique Krapp and Cindy Krapp

Inaugural Spring 2004 Exhibition

MOPA’s inaugural exhibition